Tags: Cutting Out, free fiction
I break my accidental blog hiatus to say that I’ve updated my book pages with some changes. First of all, my novella Rust Red: Galvanized, which is a sequel to my free read Eyes Wide Shut, has now gone out of print. So if you wanted to grab it, you’re out of luck, I’m afraid. At least until I decide what I’m going to do with it.
Second of all, the first M/M meetup in Australia has come and gone. I flew over to Sydney to attend it, and had a fab time, which I will attempt to put into words sometime soon. To commemorate that event, an anthology with six stories from some of the attending authors has been produced. Called Blokes in Love, it’s available for free from Smashwords and All Romance ebooks. All the stories have a common thread, in that they’re all set in either Australia or New Zealand, to showcase life down under. As is fitting for a bunch of bods who love M/M and got together to celebrate being from the southern hemisphere!
Contributing authors were AB Gayle, NJ Nielsen, Jess Buffet, Pelaam, Susan Beck and me. My story is called “Cutting Out”, and it’s the story of Shane Cooper and Lachlan Moore, shearers who work the runs of New Zealand. Serena Yates of Rainbow Book Reviews – who came all the way from the UK to attend the Meet, how good is that? – has reviewed the anthology and loved it.
Of Cutting Out, she said:
“…this story about two sheep shearers, one much older than the other, touched me deeply. Shane so desperately wants more than casual encounters with the much younger Lachie, and is devastated when Lachie rejects him. Shane’s situation had me up in arms, railing against the injustices of fate. That was until I got to see things from Lachie’s side, and his reasons for turning down Shane almost made me cry. Be ready for an intense emotional roller coaster as these two men battle their pride and their circumstances!“
Below is an excerpt, for your reading pleasure. The lovely cover is courtesy of Jess Buffett, who went the extra mile and made all contributing authors individual covers, in addition to the anthology cover.
He’d half expected it, but his heart still jolted when he came face to face with Lachie, his shaggy black hair poking out from under the beanie he wore, his dark brown eyes fixed on Shane’s face.
Lachie offered Shane a tentative smile. “Morning, Coop.”
“Morning,” Shane said gruffly, his heart aching as he stared at Lachie for a few seconds longer before picking up his gear and stowing it in the trailer. When he turned around he didn’t look at Lachie again, directing his gaze somewhere in the vicinity of Lachie’s booted feet. “We’ll be leaving in a minute.”
Lachie said, “Okay…” and Shane stepped around him, heading towards the bus’s sliding door, which was now standing open. Don was there, chatting to the team, and the last-minute instructions he had for Shane were a welcome distraction. Being the first one in the van, Shane folded himself into a seat at the front, slouching down as Jade and Di took the driver and passenger seats and the others piled in behind Shane. Shane’s neck and shoulders loosened just a tiny bit as the new rouseabout—Pania—sat beside him, Lachie casting them a look Shane refused to believe was disappointed as he climbed in after her.
Shane slouched down a bit more as they set off and the others started chatting around him. He knew he wouldn’t be allowed to sit quietly and mind his own business straight away, so he wasn’t surprised when someone grabbed the back of his seat and shook it.
“Coop, did you watch the game over the weekend?” Maaka asked, his voice triumphant. “We thrashed the Wallabies good, didn’t we? We thrashed you good and proper!”
“Didn’t watch it,” Shane said, which wasn’t exactly true. He’d watched it, sitting in the corner of his local pub on his own, surrounded by Kiwis and trying not to let anyone hear him say anything like “six” or “fish and chips” while the Aussies were soundly thrashed by the All Blacks. He’d left at half-time, when all hope was lost. It didn’t matter too much; he’d get his own back when the cricket started, because the Black Caps were the shittiest cricket team in the world, and everyone knew it. He’d let his gang take their victories while they could.
Before Maaka could gloat any more, Pania turned to him. “You from Aussie, then?”
Shane had given up trying to get the Kiwis he knew to call Australia the right nickname—Oz—years ago. It was a losing battle. “Yep. South coast of New South Wales,” he said. “Been here about ten years.” Braced for the question they always asked, he wasn’t disappointed.
“What the hell did you come here for? Isn’t it always the other way around, us going there?”
Shane sighed internally. They never got it. “I’m a shearer,” he said, like he always did, because nobody ever seemed to realise that wasn’t an actual answer before he distracted them with another thing he always said. “I like New Zealand, it’s beautiful. You lot don’t appreciate what you’ve got here. You just focus on the bad things and forget about the good.”
That shut them up for a while, and when they’d all mulled that over and started talking again, the conversation turned from him to other, safer topics. Glancing over his shoulder to find Lachie watching him, he turned back around without acknowledging it. Slumping in his seat some more, Shane settled in to brood for the rest of the trip.
I’ve spent a teeth-grindingly frustrating afternoon formatting Truce for publication through All Romance ebooks for those of you who like to have your freebies in ebook form, and eventually came out victorious. I have now confirmed that section breaks are a tool of Satan. Not that I didn’t know that before.
Anyway! Truce now has a pretty cover, courtesy of my good friend LJ LaBarthe, and is available in PDF, Mobi and ePub formats here, still absolutely 100% free.
I did my best to check all the formatting, but there’s only so many times you can read something and still see the things that are wrong with it, so if there’s any formatting that makes you want to stab your eyes out in any of the file formats, please let me know and I’ll do my best to fix it. Proof of bleeding eyeballs not required.
Tags: free fiction
A little while ago, Ms Melanie Tushmore announced that what she would really love for her birthday was some fic, written by her writerly friends. Because she is a considerate lass, she left us some prompts to choose from, and when one of the prompts is something that looks like this:
how could I possibly resist?
Scraping in under the deadline by the skin of my teeth, here is some rockstar m/m for your reading pleasure. It features new, never before seen characters, but there is a cameo by everyone’s favourite band manager, for those of you who have read Metal Heart. Do I need to warn for swearing and sexual situations? There you go, I just did.
Tags: dreamspinner, Whitewater
Two things are quite important in Whitewater: food, and Coogee Beach.
If you bought the paperback of the anthology, you will know already that there’s a glossary in it, that explains some Aussie terms, and on my part, provides some information on the Australian-specific food mentioned in Whitewater. I am quite keen for people to be able to picture the food that Luke makes accurately, and to that end I’ll reproduce here the explanations and recipe links that are in the glossary in the paperback version.
Biscuit – cookie.
Flat white – coffee, with milk. No froth or other embellishments (cocoa powder, cinnamon, etc).
Sausage roll – minced meat (typically beef and pork, but sometimes chicken), herbs and onion wrapped in puff pastry. An example of a recipe is here.
Scone – a small bread-like cake. Can be sweet or savoury. Wikipedia entry for scones.
Tomato sauce – the Australian equivalent of ketchup.
Vanilla slice – a firm vanilla custard between puff pastry sheets, typically decorated with either a simple water and icing sugar-based icing or a dusting of icing sugar. An example of a recipe is here.
Now I would really, really like a sausage roll. NOM.
Also, in Australian, thongs = flip flops.
Now we get to Coogee beach. In a spectacular case of good timing, I happened to be going back to Sydney at a time when I had just finished the first draft of Whitewater, so I decided to visit all the locations featured in the book and take some photos, which turned out to be incredibly useful, particularly when it came to Wylie’s Baths.
I posted an album of some of the photos I took that day on Facebook, which is here if anyone wants to take a look at it. It just so happened to be one of those beautiful Sydney spring days that Luke thinks about on the day that he and Cam go to Wylie’s Baths for the first time. What it wasn’t, though, was a good surfing day. Cam and Luke wouldn’t have gotten much out of a surf that day.
Tags: dreamspinner, novella, Whitewater
I’ve mentioned before that Whitewater is part of an anthology of novellas set in Australia and written by Australian authors: myself, LJ LaBarthe, Isabelle Rowan, RJ Astruc and Robyn Walker. The novellas are available as separate ebooks or together in a print edition. If you’d like to take a gander at the other stories, you can find them all on their very own page at Dreamspinner and All Romance ebooks. I hope you enjoy them!
Tags: bandslash blog tour, promotion
Today I’m pleased to be hosting Clancy Nacht and Thursday Euclid as part of the #bandslash blog tour, so without further ado…
Author Questions – Clancy Nacht & Thursday Euclid
Five about the author
1. Who are you, and where do you come from?
Clancy Nacht, now an AWARD WINNING author (yeah, that’s right, an award.) from Austin, TX.
2. What inspires you?
Politics, other stories, things in my life that need working out.
3. Describe your writing style in three words:
Irreverent, blunt, and…
4. What style of music do you like, and who are your favourite bands?
I like a lot of styles of music. I gravitate mostly toward trip hop, I guess, sort of chillout music, but a lot of indie. Pop when done well is magic; it’s rarely done in a really catchy, ear-worm way without, you know, being an annoying ear-worm you eventually feel like drilling out of your head.
Father John Misty – “Nancy From Now On”
So, there was this band Fleet Foxes that I really liked (and still like), and this was the drummer. He went out on his own and made this…Well, he has a really beautiful voice, but then this song has a sort of celebratory morbid ennui that really speaks to me. And to know me is to know why the video in particular appeals to me. I do love my femmedom.
Patrick Wolf – “Vulture”
Well, just look at it. I mean, really. But also I’ve always tended toward goth. Patrick isn’t just pretty, though. He’s a fully-fledged artist with incredible talent for instruments and has definitely gone his own way. He’s still quite young, but I’m excited to see where he’ll go. Look him up and check out the moving photos he’s done.
Tricky – “Puppy Toy”
Tricky is one of my go-to artists for sexy music. He’s one of the pioneers of trip-hop and was in one of my favorite bands, Massive Attack. I love the playful vibe of this one, and I just love that swingy, big-band sound. He is one of those artists who takes you on a journey. Plus, with him you can get your hip hop without a side of misogyny. If you don’t know who he is, chances are you’ll know his music.
5. Been to any good gigs recently?
Two favorites of late would be Sharon Jones and The Dap Kings and Of Montreal. They’re very different styles of music. Sharon Jones is more of a throwback to 60s style singers with a big brass band. Very bombastic and so much fun. I saw her in a smallish venue, and while on some level you can’t help but fill the place with your performance, she was definitely full of sass and style.
Of Montreal is very indie and very college art project-y. Their music has this great sort of flair, not the usual A-B chorus style. They bring in costumes and produce short films to accompany their music. They may be a little glam band throwback in some ways. They’re such a lot of fun and a really wide audience: mix of ages and hipster to extreme nerd.
Five about the book
Title: Black Gold 2: Double Black
Series: Black Gold
1. Who is the story about?
The story is about Jett Black and Billy Goldean (Goldie) but this time there are a couple of new characters, including Cole, a mysterious young man from Kansas.
2. What inspired the idea for this story? Any real bands, music, or places from your experience?
The original Black Gold story was kind of based on Matt Bomer, who hadn’t come out as gay yet but hadn’t really lived his life as a straight man before he became famous. I’d read a few things about him being worried because “White Collar,” the TV show he was on, was kind of new and he was being told that the franchise may not work if straight women knew he was gay and wouldn’t lust after him.
I found that sad but also interesting–the idea of being in the closet not because you were embarrassed or thought anything was wrong with it, but because a whole economy was riding on a certain image. Of course, we all know Bomer is living out and proud and, other than Bret Easton Ellis (and who cares what he says anymore?), few people seemed to have a problem with it. “White Collar” is as popular as ever, and his career is booming.
We moved it to musicians because Thursday was a roadie, and I was in a band. A few bands. Anyway, it seemed an area we could both relate to and had a lot of opinions on.
3. What is it about musicians that make them irresistible?
To be an artist, you have to be willing to strip down and let everyone see it all. There’s a certain ruthlessness and blind ambition that comes with meeting success at it. Like Tricky above, who is 20 times most hip hop artists, refuses to be simply a genre artist. He is punk rock and not that shitty Green Day faker shit. It’s the ego, the talent, the vision. It’s sexy, raw power when you bring all of it together and will not be denied. Super sexy.
4. As a story comes in three parts, and this is a music story, pick me three music videos that reflect how you feel the story goes.
Part one: Lana Del Rey – “Blue Jeans”
Loneliness, separation. Jett is trying to do his best getting the label to work while Goldie languishes at home wishing that he could see him more.
Part two: Florence & The Machine – “No Light, No Light”
This part struck me as very Jett: “It’s so easy to say it to a crowd, but it’s so hard, my love, to say it to you out loud.”
Part three: Finn Brothers – “Won’t Give In”
They may have some kinks along the way, but they’re not willing to give up on their relationship. They want to progress to the next stage. “Everything I love is here. Take me home, take me home.”
5. If your book was a music video, how would it go? Talk me through it.
Okay, directing music videos isn’t really my thing. So I guess we’d introduce the new character, he’d make eyes at Goldie, who would only have eyes for Jett. Maybe they’d be at a bar smiling and the new character would try and get Goldie to go to another room with him, but Goldie would move closer to Jett and the new boy would be sad. Then someone new would come for the new boy and everyone would be happy.
Thanks for answering!
Book: Double Black will be available soon!
Buy the first book Black Gold here: http://www.loose-id.com/authors/a-f/clancy-nacht-thursday-euclid/black-gold.html
Book title: Black Gold #2: Double Black
Series: Black Gold
Book blurb for Black Gold:
Billy “Goldie” Goldean is the biggest pop star in the world and he’s harboring a terrible, career-killing secret: he’s gay. Even with song titles such as “Astral Glider” and “Winking Brown Eye”, few question Goldie’s squeaky-clean teen heartthrob status. That is, until Jethro “Jett” Black, an infamous womanizer and underground punk icon, names him in the pages of Rolling Stone magazine as the celebrity he’d most like to fuck.
After Goldie and Jett hook up at an industry party, Goldie’s management dumps him, Jett’s exes come back to haunt them, and even Goldie’s mother makes a public plea for him to come to his senses. Goldie wants to trust his untamed new lover but the pressures of fame may tear them apart.
Now came the awkward part. He pulled the brim of his hat even lower and stepped past the crowd of groupies to where Jett was. He felt like he wasn’t walking right, a terrified fawn testing out its long new legs. He held the bottle out, afraid if he got too close that Jett would recognize him.
Jett smelled of old weed and alcohol. It should’ve repelled him, but Goldie just wanted to remain in a bubble close enough to him that he could breathe in Jett’s scent.
“Um…here you go.” Goldie blushed, thinking those were stupid words to say, but he couldn’t think of anything witty.
Jett took the bottle and wrenched the top off to swig down the booze. Goldie winced, knowing how much the alcohol would burn. Jett seemed to sway a bit, and then his eyes cleared, and he let out a long, guttural moan. He took another gulp and then offered the bottle back. He squinted at Goldie, peering like he might recognize him, and Goldie felt his pulse jump with adrenaline. He tried to make himself look like just another crazy fan boy trying to suck up to his idol and prayed that Jett didn’t look more closely than that.
“Oh God, thank you,” Jett mumbled, looking up at his timid savior with bloodshot brown eyes still smudged with what looked like last night’s liner. “If I try to move anywhere that isn’t in the direction of the fucking stage, they’ll eat me alive, and if I ask one of them for a favor, the others will eat her alive.”
Jett gestured to the throng of girls fifteen feet away, and just the motion of his hand in their direction sent them into a squealing tizzy. A tall chick in the back of the group stood on tiptoe and lifted her skull-and-crossbones crop top to flash them her fake rack. Jett gave her his trademark cocky grin and a little wave and then looked away, the persona fading into weariness as he tried to fix his stage makeup in the cobweb-cracked mirror.
“It’s a fuckin’ circus, man. Anyway, what’s your name? I’m Jett, in case you missed the part where everyone was screaming that at me.”
The fact that Jett was talking to him like this, like they were buddies, bros, made Goldie feel simultaneously giddy and crestfallen. He loved getting to see this more human side of Jett, but then, the fact that Jett wasn’t trying to seduce him meant Jett didn’t see him as a sex object. Theoretically, that should have been a good thing, but Goldie felt let down.
What did he expect? That he’d show up and Jett would just bend him over right there? He was there as Billy, not Goldie. It was Goldie that Jett wanted. No one wanted Billy.
“Ich bin…Billy.” It wasn’t even correct German; he didn’t attempt a German accent. It sounded completely ridiculous.
To cover that awkwardness, Billy took the bottle for a quick swig and immediately regretted it. He managed to swallow, but it burned. Billy sputtered, blinking madly as if that would keep Jett from knowing he wasn’t a scotch drinker of any malt.
Jett appeared so busy with his makeup, there was a chance he hadn’t noticed, so Billy took another swig. This time he managed it better. He felt the tension in his back melting away and a sense of light-headedness.
Watching him struggle with his eyeliner in the mirror for a moment, Billy reached for Jett’s shaking hand and steadied it. When Jett didn’t recoil, Billy gently pulled the kohl pencil from him. With the other hand, he tilted Jett’s face up by the chin, taking in the hollows of his cheeks, the sharpness of his face, but also the lost look in his eyes.
Billy licked his thumb and wiped away the messy smudges of the liner. The one time Billy was out without a makeup kit, and he already needed it. He smiled wryly and then held the pencil steadily under Jett’s eye. “Look up so I can get this on evenly for you, please.”
Though Jett looked uneasy, he shrugged and did as he was told. Jett dropped his ass on the dressing table, stretched out his long legs, and looked up at the filthy ceiling. “Y’know, it’s like…some days I just can’t get my shit together. Once I’m out there with the mic, the lights, and the applause, I can get lost in my head, and it’s all right. It doesn’t matter out there, but offstage, it just…” Jett trailed off with a rueful chuckle. “Seriously, though, don’t spit on me again without warning, or I might break your pretty face.”
It took all of Billy’s willpower not to stroke Jett’s hair and say, “I understand.” He knew all too well the appeal of being caught up in the music. In that moment, nothing else mattered.
“Sorry. I don’t usually spit at all.” Billy blushed when he realized how that sounded.
Chewing his bottom lip, Billy decided just to go with the existing smudges and traced it into a design to make it look purposeful. “Just because you feel like a mess doesn’t mean you have to look like one.”
Billy allowed himself to slide his fingers lightly on Jett’s cheek. “Have a look.”
While Jett turned to the mirror, Billy cast around the room for further reason to detain him. Spotting the black nail polish, he grabbed the bottle and reached for Jett’s hand.
Giving Jett’s palm a light stroke with his finger, Billy said, “I can neaten up your nails really quick. I mean, if you want me to.”
Jett looked hot with the intricate swirls of kohl around his eyes. The black liner made his dark eyes look enormous and soulful rather than exhausted.
“Yeah, all right, might as well.” Jett settled in with the scotch in his free hand to let Billy fix up the other.
After another sip, he added, “Thanks, Billy,” as if making a point of using his name so Goldie’d know he hadn’t forgotten it like he probably did most people’s.
It was so bizarre how guilty Billy felt that Jett didn’t know he was Goldie. He wasn’t lying, exactly, just withholding important information.
Billy imagined telling Jett the truth. He’d probably be lucky to get out without his “pretty face” broken.
Still, the name was so distant to him now. Billy. Billy was a fourteen-year-old boy who hoped someone would notice him. He was the anxious music nerd who got more than his fair share of swirlies for being “too fucking pretty.”
Billy forced those thoughts away. If this was going to be his only time with Jett — ever — he didn’t want to waste it thinking about his past.
Billy carefully measured just enough polish onto the brush to fill in the cracks, wiping away the mistakes with his fingertips and letting the residue dry on his skin. He didn’t play guitar nearly as much or as aggressively as Jett. Jett’s fingers were so hard. Working hands. Real hands. Billy wanted to kiss those fingers but left it at just blowing on them.
“I used to do this for my sisters.” Billy was lying again. He had no sisters. He wanted to say something and wanted Jett to think of Billy as a random fan who could do makeup. Jett liked that boy. Liked Billy. That would have to be enough. He took Jett’s other hand and patched the holes in the polish.
Billy sighed. His time was up. There were no more excuses to detain Jett without it getting awkward. “Is it okay if I stay back here to watch the show? I promise I won’t bother you when you’re off. The sound is better back here. Gerha — I mean, the guy who owns this place sort of got the sound thing backward.”
“Yeah, man, do whatever! I’ll let the stage manager know it’s cool for you to be here. I appreciate the help and shit. Really, ma — Billy.”
Jett inspected his nails, taking a moment to gnaw absentmindedly at a rough cuticle before reaching for the scotch bottle again. He looked far more enthusiastic than he had half an hour ago, as if Billy’d recharged his batteries. “I didn’t think makeup and nail polish made so much difference, but then, maybe that’s why all those chicks in the crowd have so much energy for screaming and throwing panties at my head.”
After an awkward pause, Jett cleared his throat and adopted his trademark casual, cool demeanor, complete with whiskeyed rasp. “Look, I don’t know if you’re into the souvenirs or whatever, but if you are, I’ll do you one before I go on. You want? It’s just this thing I do with the used strings, but if it ends up on an online auction site, it’s like…worthless. It’s not signed or anything. It’s just a you-know-and-I-know thing.”
“If you gave me something, I’d never sell it. I’d keep it with me forever.” Billy said it before he could stop himself from sounding like a lovelorn puppy, but he couldn’t stop smiling that big, broad smile that had sold millions of records for the past decade. His body flushed, and he was — stupid as it made him feel — hard over the prospect of a used guitar string. He didn’t know what he’d do with it, but it would be his. Billy’s piece of Jett to keep forever.
Billy wasn’t going to think about whether Jett had done this for girls he’d fucked. He was going to allow himself this moment.
Without asking, Jett grabbed Billy by the wrist and dragged him a few feet to the stool where he’d changed his strings earlier. Jett pushed him to sit and then knelt to grab a stray G off the floor. He deftly looped it around Billy’s pale, slender wrist and wove the string in on itself until it ran out of length. Then he inserted the end through the little steel ring at the bottom of the string and crimped it together with the pliers in his tool kit. Jett eyed it critically, gave it a tug to be sure it was secure, then pressed a noisy, theatrical kiss to the metal before thrusting Billy’s hand back at him and rising to his feet.
“There, now you have my G-string.” Jett gave him a cheeky wink and then stretched as if to work out the stiffness in his muscles from crouching like that. “Treasure it, Billy; it’s a worthless piece of used metal, but it was made with grateful affection by the infamous king of underground…whatever. Be the first kid on your block to give a shit.”
Billy slid his fingers over the metal, thinking about Jett’s lips there, so close to him. It all seemed too good to be real. “No one’s going to think I’m a skank who performed some unspeakable act if they see me with this on, are they?”
Billy clutched his arm to his chest, cradling it with the other as Jett picked up a guitar. This was it; the moment was ending. His Jett was about to dissolve into the real Jett, and the real Jett wouldn’t like Billy. He’d like Goldie even less. Goldie was losing him.
Billy clutched the bracelet tightly, tracing his fingers over it. “I know you’ll be brilliant, Jett. You always are.”
He gazed up at Jett, not even trying to disguise those distinctive golden eyes, and then back down at the bracelet. I’ll never forget this.
Billy should make his exit before the show ended. Seeing Jett leave with a woman would make Billy cry. This was dangerous — a crazy, stupid, reckless thing to do — and Billy would be lucky if he managed to hurt only himself with it.
“Have a good show. I love you…r music. So always do that — make music. Do it more if it helps keep you together. The world needs more of you.” Billy frowned at what a rambling idiot he’d turned into.
Jett paused with a quizzical look on his face, staring at Billy as if he was speaking a foreign language. He nodded slowly, brows furrowed and drawn inward. He held his ancient, scarred guitar by the neck in one hand and strode over to slip his free arm around Billy to give him a sideways hug. Jett’s chin tucked atop of Billy’s head for a moment as if Jett could embrace him with his neck too.
Jett stood back and gave Billy a lopsided, puzzled smile. “All right, man. I’ll try to remember that.”
Jett started for the stage, then hesitated and barked a laugh, looking back over his shoulder to grin at Billy. “Oh, and the most lasting thing I give the groupies is cervical bruising. Those are friendship bracelets, man. Sh, don’t tell. You’ll ruin my rep. Peace. I’m gone.”
Jett gave him a mock salute and disappeared into the wings, leaving his real self behind as he stepped onto the stage — a rock star to be greeted by the screaming of fans who’d been waiting just long enough to get desperate.
Copyright © Clancy Nacht & Thursday Euclid
Clancy Nacht hosts Meredith Shayne!
Check out the #bandslash blog tour dates here: http://cocktalesandhotsauce.blogspot.co.uk/2013/02/bandslash-blog-tour-dates-for.html
Tags: anthology, dreamspinner, under the southern cross, Whitewater
My next book is almost here! It’s called Whitewater, it’s a novella, and it’s being released as a stand-alone ebook and in print as part of the Under the Southern Cross anthology, which is an anthology of five stories set in Australia written by Australian authors – myself, LJ LaBarthe, Isabelle Rowan, RJ Astruc and Robyn Walker.
More about the anthology as a whole in a minute. First I just want to share the absolutely beautiful cover art, done by the amazing Anne Cain, and the blurb for Whitewater.